Sunday
Aug082010
Kampala with Jon Gosier
Sunday, August 8, 2010 at 1:27PM
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[column]It's funny to think that I had almost gone an entire trip in Africa without loosing power. Being based in Nairobi this time around meant having electricity and broadband accessible everyday. In this day and age, one can almost forget how far away from home you really are. I had taken a day trip to Kampala to interview Jon Gosier about SwiftRiver when I finally was reminded how 99% of Africa produces product: with unreliable power. In Kenya, I've been able to push up to my blog, get email, charge batteries, and call my wife every night, but around 9pm last night in Kampala the lights in Jon’s house started flickering as we tried to push email through a shared “3G” connection.
The Developing World as a whole is full of seeming contradictions and it's hard to paint that whole picture, but editing HD video while downloading email, and SMS-ing with my wife in the States all while in a house without power and unsafe water coming out the tap touches on parts of that overall picture.
[/column][/col-sect]
[/column][column]It's funny to think that I had almost gone an entire trip in Africa without loosing power. Being based in Nairobi this time around meant having electricity and broadband accessible everyday. In this day and age, one can almost forget how far away from home you really are. I had taken a day trip to Kampala to interview Jon Gosier about SwiftRiver when I finally was reminded how 99% of Africa produces product: with unreliable power. In Kenya, I've been able to push up to my blog, get email, charge batteries, and call my wife every night, but around 9pm last night in Kampala the lights in Jon’s house started flickering as we tried to push email through a shared “3G” connection.
The Developing World as a whole is full of seeming contradictions and it's hard to paint that whole picture, but editing HD video while downloading email, and SMS-ing with my wife in the States all while in a house without power and unsafe water coming out the tap touches on parts of that overall picture.
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